Handel Acis & Galatea
Handel Ode for St Cecilia’s Day

Paul McCreesh conductor
Gabrieli Consort & Players

Paul McCreesh and the Gabrieli Consort make their LHF debut in a major two-part performance featuring two of Handel’s most celebrated masterpieces.

For ticket information, click here.

Angharad makes her role debut as Meg Page.

Barbara Diana director
Federico Tibone conductor
OperaNova Project Chorus
Malta Philharmonic Orchestra

Teatru Manoel in collaboration with Malta National Opera (MNO) presents Giuseppe Verdi’s comic opera. Falstaff was the last of Verdi’s 26 operas. It was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the knight Sir John Falstaff to seduce two married women to gain access to their husbands’ wealth.

For ticket information, click here.

Angharad makes her role debut as Meg Page.

Barbara Diana director
Federico Tibone conductor
OperaNova Project Chorus
Malta Philharmonic Orchestra

Teatru Manoel in collaboration with Malta National Opera (MNO) presents Giuseppe Verdi’s comic opera. Falstaff was the last of Verdi’s 26 operas. It was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the knight Sir John Falstaff to seduce two married women to gain access to their husbands’ wealth.

For ticket information, click here.

Angharad makes her role debut as Meg Page.

Barbara Diana director
Federico Tibone conductor
OperaNove Project Chorus
Malta Philharmonic Orchestra

Teatru Manoel in collaboration with Malta National Opera (MNO) presents Giuseppe Verdi’s comic opera. Falstaff was the last of Verdi’s 26 operas. It was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the knight Sir John Falstaff to seduce two married women to gain access to their husbands’ wealth.

For ticket information, click here.

Angharad makes her role debut as Meg Page.

Barbara Diana director
Federico Tibone conductor
OperaNova Project Chorus
Malta Philharmonic Orchestra

Teatru Manoel in collaboration with Malta National Opera (MNO) presents Giuseppe Verdi’s comic opera. Falstaff was the last of Verdi’s 26 operas. It was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the knight Sir John Falstaff to seduce two married women to gain access to their husbands’ wealth.

For ticket information, click here.

Clemens Magi videntes stellam
J.S. Bach Was mein Gott will, das g’scheh allzeit, BWV 111

Sofia Kirwan-Baez soprano
Angharad Rowlands mezzo-soprano
Peter Edge baritone

Steven Devine music director
Hannah Wakeford guest speaker
Orchestra of the Age of Enlightenment

For more information, click here.

A brand-new national competition presented by SWAP’ra for classical singers and pianists, shining a spotlight on British women composers of the past 150 years and the extraordinary art songs that deserve their place in today’s canon.

Angharad Rowlands and Daniel Peter Silcock will perform a programme of Rebecca Clarke, Errollyn Wallen, and Maude Valérie White in the live semi-final round held at the Royal Overseas League House in London.

For ticket information, click here.

J.S. Bach Christmas Oratorio

Sam Cobb soprano
Angharad Rowlands mezzo-soprano
Sam Jenkins tenor
Tristan Hambleton bass-baritone

Howard Ionascu conductor
Twickenham Choral
The Hanover Band

For ticket information, click here.

Handel Messiah

Emily Jennings soprano
Angharad Rowlands mezzo-soprano
Mark Wilde tenor
Peter Edge baritone

Eamonn Dougan conductor
Thomas Tallis Society Choir & Orchestra

For ticket information, click here.

Handel Messiah

Laurence Cummings conductor
Academy of Ancient Music

For ticket information, click here.

Clemens Ave Maria
J.S. Bach Bereitet die Wege, bereitet die Bahn!, BWV 132

Jessica Cale soprano
Angharad Rowlands mezzo-soprano
Nicholas Mulroy tenor
William Gaunt bass

Steven Devine music director
Dhara Patel guest speaker
Orchestra of the Age of Enlightenment

For more information, click here.

J.S. Bach Christmas Oratorio (Parts I, II, III and VI)

Zoë Brookshaw | Lucy Cox soprano
Ciara Hendrick | Angharad Rowlands mezzo-soprano
Sebastian Hill | Archie Inns tenor
Malachy Frame | Jon Stainsby baritone

Stephen Layton conductor
Polyphony
Britten Sinfonia

For ticket information, click here.

J.S. Bach Christmas Oratorio (Parts I, II, III and VI)

Zoë Brookshaw | Lucy Cox soprano
Ciara Hendrick | Angharad Rowlands mezzo-soprano
Sebastian Hill | Archie Inns tenor
Malachy Frame | Jon Stainsby baritone

Stephen Layton conductor
Polyphony
Britten Sinfonia

For ticket information, click here.

Handel Messiah

Jessica Cale soprano
Angharad Rowlands mezzo-soprano
Ruairi Bowen tenor
Florian Störtz bass-baritone

Richard Gowers conductor
Choir of St George’s
London Handel Orchestra

Clemens Ego flos campi
J.S. Bach Nur jedem das Seine, BWV 163

Sofia Kirwan-Baez soprano
Angharad Rowlands mezzo-soprano
Sebastian Hill tenor
Peter Edge baritone

Steven Devine music director
Chris Baker guest speaker
Orchestra of the Age of Enlightenment

For more information, click here.

Handel Messiah

Gabrieli Consort & Players
Paul McCreesh conductor

For more information, click here.

Dvořák Stabat Mater

Erin Gwyn Rossington soprano
Angharad Rowlands mezzo-soprano
Robert Watson tenor
Emyr Wyn Jones bass-baritone

John Gibbons conductor
St Albans St Cecilia Festival Chorus
St Albans Symphony Orchestra

For more information, click here.

Michel Lambert Airs interspersed with keyboard and lute music by de Visée and Couperin
Marc-Antoine Charpentier Le Reniement de Saint Pierre
Marc-Antoine Charpentier Les Plaisirs de Versailles

James Johnstone music director
Guildhall Cantata Project
Vocalists from the Academy of Ancient Music

Angharad will sing the role of Ancilla in Charpentier’s Le Reniement de Saint Pierre.

For more information, click here.

Michel Lambert Airs interspersed with keyboard and lute music by de Visée and Couperin
Marc-Antoine Charpentier Le Reniement de Saint Pierre
Marc-Antoine Charpentier Les Plaisirs de Versailles

James Johnstone music director
Guildhall Cantata Project
Vocalists from the Academy of Ancient Music

Angharad will sing the role of Ancilla in Charpentier’s Le Reniement de Saint Pierre.

For more information, click here.

Founded in 2023 to celebrate English song and oratorio, the annual LCS Leach Award for Singing seeks to promote new, emerging talent across the UK and beyond. This year’s competition will be judged by world-renowned soprano and vocal consultant, Janice Chapman and LCS Artistic Director, Michael Waldron.

Angharad will perform alongside duo partner Daniel Silcock.

The final of this year’s competition will be open to the public and tickets can be found here.

Clemens ‘Kyrie’ from Missa Ecce quam bonum
J.S. Bach Wo soll ich fliehen hin, BWV 5

Sofia Kirwan-Baez soprano
Angharad Rowlands mezzo-soprano
Sebastian Hill tenor
Peter Edge baritone

Steven Devine music director
Rachel Hemp guest speaker
Orchestra of the Age of Enlightenment

For more information, click here.

Handel Solomon

John Butt conductor
Orchestra of the Age of Enlightenment

Angharad will sing the role of Second Harlot.

For more information, click here.

Handel Solomon

John Butt conductor
Orchestra of the Age of Enlightenment

Angharad will sing the role of Second Harlot.

For more information, click here.

Brahms Die schöne Magelone

Dietrich Henschel baritone
Angharad Rowlands mezzo-soprano
Sholto Kynoch piano
Victoria Newlyn narrator

Johannes Brahms is perhaps not a composer often associated with realms of fairytales and fantasy, but throughout the 1860s he set fifteen of the poems from Ludwig Tieck’s 1797 novel The Love Story of the Beautiful Magelone and Count Peter of Provence. The story dates back to at least the 13th century and follows the adventures and trials of a young knight, Peter, and his beloved Magelone.

Today, we hear this complete cycle of songs, with their richly varied musical portrayals, interspersed with an abridged version of the novel, read by Victoria Newlyn.

For ticket information, click here.

Handel Solomon

John Butt conductor
Orchestra of the Age of Enlightenment

Angharad will sing the role of Second Harlot.

For ticket information, click here.

Rossini Ermione

Jakob Lehmann conductor
Thomas Guthrie stage director
Monteverdi Choir
Orchestre Révolutionnaire et Romantique

Angharad will sing the role of Cefisa.

For more information, click here.

Arias by Monteverdi and Mozart.

This masterclass will provide a unique “fly-on-the-wall” experience, offering an intimate glimpse into live coaching sessions between emerging musicians and established artists on stage.

For more information, click here.

Arias by Handel, Monteverdi and Vivaldi.

Sofia Kirwan-Baez soprano
Angharad Rowlands mezzo-soprano
Hugo Brady tenor
Peter Edge baritone

Orchestra of the Age of Enlightenment

For more information, click here.

Handel arias from Imeneo
’Per le porte del tormento’, Sosarme

Lisa Dafydd soprano
Angharad Rowlands mezzo-soprano
Julian Perkins harpsichord

Ahead of their staged production, Cambridge Handel Opera makes their LHF debut with an inventive programme that explores the genesis of Handel’s penultimate opera and his mysterious creative process.

The event features a selection of music from Imeneo, including the rarely heard, ravishing duet ‘Per le porte del tormento’, all woven together with anecdotes and insights from Cambridge Handel Opera’s Artistic Director, Julian Perkins.

Performed in the intimate setting of Handel’s own parlour room, this is a unique opportunity to experience Handel’s music up close and gain new insights into his great artistry.

Due to the size of Handel Hendrix House, capacity is limited so early booking is advised. To book, click here.

Handel arias from Imeneo
’Per le porte del tormento’, Sosarme

Lisa Dafydd soprano
Angharad Rowlands mezzo-soprano
Julian Perkins harpsichord

Ahead of their staged production, Cambridge Handel Opera makes their LHF debut with an inventive programme that explores the genesis of Handel’s penultimate opera and his mysterious creative process.

The event features a selection of music from Imeneo, including the rarely heard, ravishing duet ‘Per le porte del tormento’, all woven together with anecdotes and insights from Cambridge Handel Opera’s Artistic Director, Julian Perkins.

Performed in the intimate setting of Handel’s own parlour room, this is a unique opportunity to experience Handel’s music up close and gain new insights into his great artistry.

Due to the size of Handel Hendrix House, capacity is limited so early booking is advised. To book, click here.